[1] Other architects in his class included Joaquín Rojí, Tomás Acha, Luchas Alday, Amós Salvador, Miguel G. de la Any, Jerónimo P. Mathet, Juan J. Gorruchaga, Luis López, Calixto Sancho, Demetrio Ribes, Francisco García Navas and Gregorio Rábago.

[1] Two of his teachers were Ricardo Velázquez Bosco, an exponent of the Second Empire architectural style and one of the main eclecticist architects of Spain in the first third of the  20th century,[1] and Vicente Lamperez, a prominent restorer, architect and art historian and member of the Royal Academy of History.

[3] He designed in the Plaza de América of Maria Luisa Park, the Mudéjar Pavilion that was accomplished in 1914 (currently Museum of Arts and Traditions of Sevilla),[4] the Palacio del Renacimiento (currently Archeological Museum of Seville) and the Real Pavilion.

His most famous work for the Exposition is the Plaza de España, completed in 1929 that was the most emblematic place of this event.

The Plaza de España complex is a huge half-circle with buildings continually running around the edge accessible over the moat by numerous beautiful bridges.