[4] In 2014 Andrew V. Uroskie wrote the book Between the Black Box and the White Cube: Expanded Cinema and Postwar Art.
Uroskie identified "The Blue Mouse and The Movie Experience" as an important text, one of a series of seminal articles written in the '60s that captured the transformation of art and film from traditional, rigid, academic works to more open and liminal works that included happenings, expanded cinema and "new media".
It was produced by the Aids Project LA, Churchill Films and the UCLA Center for Interdisciplinary Research on Immunology and Disease.
In 1990 he wrote the screenplay for the feature film Lambada, based on a story by, and directed by Joel Silberg.
The others were Roger Englander (Chairman), Arthur Mayer, Dean Myhr, Donn Pennebaker, James Blue, David Stewar, George Stoney and Willard Van Dyke.
Through his championship, the NEA funded film centers in Chicago, Detroit, Berkeley and Portland, Oregon.
It announced a treasure hunt for an object hidden somewhere in the United States, that when found would result in a half million dollar prize.
Written by Sheldon Renan and a writer identified as Dr. Crypton, whose monthly column appears in Science Digest, the $12.95 book will contain all the necessary clues.
It gave background on the treasure hunt craze of the early 1980s "The treasure hunt promotions peaked with two best sellers published in the early 1980s, Masquerade, by Kit Williams, which offered $35,000 to the finder of a golden hare, and Who Killed the Robins Family by Bill Adler and Thomas Chastain, which offered $10,000 to the reader who submitted the best answer to their puzzle.
It quoted John Baker, editor of Publishers Weekly, saying "there are no industry figures, but none of the 10 or so treasure books and videos since 1982 have matched the success of the first two."
In accordance with the rules, since the treasure was not found, the $500,000 was donated to charity, specifically to the Big Brothers/Big Sisters of America.
[18] Treasure was also released as a straight to video feature film, laserdisc, and an episodic television show that aired on pay cable channels.
Renan's one-hour talk centered on a 1967 panel he had chaired, in which Bruce Conner threw the only copy his film Leader into the audience, in an act of artistic "filmicide".