Ana Inés Jabares-Pita

Ana Inés Jabares-Pita (born January 21, 1987) is a Spanish designer working across opera, dance, theater, film, concerts and exhibitions.

She continued her studies in London at the Royal Central School of Speech and Drama, where she finished a Master of Arts in scenography.

Thanks to this award, she worked with Laurie Sansom, director of the National Theatre of Scotland, on this production at the Glasgow Tramway arts centre in 2015.

In 2018, she worked in several productions all around the UK, such as The Lovely Bones (2018)[9] directed by Melly Still and adapted by Bryony Lavery after Alice Sebold (a Birmingham Repertory Theatre, Royal & Derngate, Northhampton and Northern Stage co-production with Liverpool Everyman & Playhouse); the world premiere of the opera To See the Invisible (Aldeburgh Festival 2018); Twelfth Night (Royal Lyceum Theatre, Edinburgh, and Bristol Old Vic 2018), and Pride and Prejudice* (*sort of)[10] (2018) at the Tron Theatre.

[13] Some of her most recent works include Blond Eckbert (2020; currently suspended due to COVID-19) for the English National Opera, and Faustus: That Damned Woman (2020)[14] by Chris Bush, directed by Caroline Byrne (co-production Headlong, Lyric Hammersmith and Birmingham Repertory Theatre).