And God Created Woman (1956 film)

Though not her first film, it is widely recognized as the vehicle that launched Bardot into the public spotlight and immediately created her "sex kitten" persona, making her an overnight sensation.

"[5] A poorly-received English-language remake, also titled And God Created Woman, was directed by Vadim and released in 1988.

She makes no effort to restrain her natural sensuality – lying nude in her yard, habitually kicking her shoes off and stalking about barefoot, and disregarding many societal conventions and the opinions of others.

Antoine, the eldest of the three Tardieu brothers, returns home for the weekend to hear Carradine's proposal and Juliette is waiting for him to take her away with him.

When Antoine is contracted to return home and work for Carradine, Juliette's behavior becomes increasingly disrespectful of her husband.

Michel arrives but Juliette refuses to talk with him and continues her improvised and sexually suggestive dancing.

En route to the doctor, Eric tells Antoine that he is going to reassign him to work elsewhere to put some distance between him and Michel and Juliette.

By the mid-1950s Roger Vadim was an established screenwriter and had written several movies starring his then wife Brigitte Bardot.

Producer Raoul Levy wanted Vadim to write and direct a film starring Bardot, and suggested he adapt the book The Little Genius by Maurice Garçon.

Vadim disliked the book and came up with a new story, one based on a trial of a woman who had been the mistress of three different brothers, and who killed one of them.

A Columbia spokesman stated that the film would have received twice as many bookings with a less restrictive "B" rating, but would only have done half the business.

[14] Variety reported that in spite of the rating, the film broke "local records at the Paris Theatre, N.Y., and at other houses where it has played", and noted that "In Fitchburg, Mass., it actually outgrossed Ten Commandments.

But as slight as the story was it was always lively and easy to take on the eyes, adding up to hardly anything more than a bunch of snapshots of Bardot posturing as a sex kitten in various stages of undress.

The public loved it and it became a big box-office smash, and paved the way for a spate of sexy films to follow.

U.S theatrical advertisement, 9 April 1958