[1] His style combined Mannerist elements, a relative rarity in Venice, with much influence from the mainstream of Venetian painting, especially Titian.
Meldolla was born in the Venetian-ruled city of Zara in Dalmatia, now Zadar in Croatia,[a] the son of a garrison commander of a post nearby.
By 1540, he was well enough established in Venice that Giorgio Vasari commissioned him a large battle picture (which the Florentine author mentions in his Lives).
"[7] Later in the 1550s, "occasionally, the sensibility – too receptive, almost feminine – that inclined Schiavone towards imitation brought him to the verge of echo of the larger personality" (Titian).
His etchings are the only real equivalent in printmaking of later 16th-century Venetian painting modes, and his technical experiments were emulated by 17th-century etchers such as Jacques Bellange, Giovanni Benedetto Castiglione and Rembrandt".