His own projects the smiling carcass (1999), based on the subject of advertising, and Those Who Speak In A Faint Voice (2001), on death penalty, both in collaboration with the Italian photographer Oliviero Toscani, are the first examples of his commitment towards innovative, multimedia oriented music theatre.
The multimedia staged concert "un Temps vécu, ou qui pourrait l’être" had its world premiere on 6 June 2008 at Le Fresnoy – Studio National des Arts Contemporains, in Lille, where Molino was “Invited Artist” for the season 2007–2008.
Three Mile Island, on the nuclear accident in Pennsylvania in 1979, was first performed in March 2012 at the ZKM Center for Art and Media Karlsruhe with the Neue Vocalsolisten Stuttgart and the Klangforum Wien; the Italian Premiere followed at the Teatro India in Rome.
He opened the 2010 concert season of the Teatro La Fenice in Venice with the world premiere of Bruno Maderna's Requiem (CD Stradivarius, Abbiati Award 2022).
At the Teatro La Fenice he had opened the 2005 edition of the Venice Music Biennale with Heiner Goebbels’ Surrogate Cities and he conducted the world premiere productions of Mosca's Signor Goldoni (2007) and Ambrosini's Il Killer di Parole (2010).