She travelled to England with the Sydney Theatre Company production of David Williamson's play Emerald City.
She directed plays for the Queensland Theatre Company and in 2014-2015 was appointed a Resident Director – a joint position with Jason Klarwein.
[5] Of the role of director Moor said, "While I love directing, and still find it incredibly challenging, at my heart I'm an actor.
[6] Moor introduced this technique to Australia in 1994 and in 1998 she together with Melissa Bruder established “the official Sydney Annex of the NYC.”[7] She has run workshops on the technique at NIDA, Western Australian Academy of Performing Arts (WAAPA), Queensland University of Technology (QUT), London Academy of Music and Dramatic Art (LAMDA), and Practical Aesthetics Australia (PAA) and in group settings.
Maureen Strugnell in a review in Stage Diary wrote of Moor's performance in Vincent in Brixton as the mother of Vincent Van Gogh,Andrea Moor is compelling in this role, suggesting by everything she does the effort that it takes to keep on functioning in a world that has lost all meaning.
Whether she is rushing manically about the kitchen as in the opening scene, or moving with achingly painful slowness as the depression takes hold again, we watch fascinated.
When she sits still, head in hands, she personifies despair and prefigures later portraits by Van Gogh of sorrowing women.