Andrea della Robbia

He carried on the production of the enamelled reliefs on a much larger scale than his uncle had ever done; he also extended its application to various architectural uses, such as friezes and to the making of lavabos, fountains and large retables.

One of the most remarkable works by Andrea is the series of medallions with reliefs of the Infant Jesus in white on a blue ground set on the front of the foundling hospital in Florence.

These are frequently framed with realistic yet decorative garlands of fruit and flowers painted with coloured enamels, while the main relief is left white.

In 1489 Andrea made a relief of the Virgin and two Angels, now over the archive-room door in the Florentine Opera del Duomo; for this he was paid twenty gold florins.

The latest work attributed to Andrea, though apparently only a workshop production of 1515, is a relief representing the Adoration of the Magi, made for a little church, St Maria, in Pian di Mugnone [it], near Florence.

Andrea della Robbia by Andrea del Sarto
Madonna with Child and Angels ( Louvre Museum ).
Crucifixion , Sanctuary of La Verna [ it ] .
San Agustin (ca 1490), on display at the Carmen Thyssen Museum ( Colección Carmen Thyssen-Bornemisza [ es ] )