[2] Wilson's video work Virtual Assistance (2009–11) was made while he was an MFA candidate at the School of the Art Institute of Chicago.

[3] Workers Leaving the Googleplex is a 2011 video artwork consisting of synchronized footage of two Google locations in Mountain View, California, with a voice-over narrative spoken by Wilson.

The images were meant to supply the global market of advertising, business, art, and journalism with imagery that represents widespread feelings of financial uncertainty and discontent.

[15] Artists included in the exhibition: Michael Bell-Smith, Neil Beloufa, Guy Ben-Ner, Ben Thorp Brown, DIS, Harm van den Dorpel, Dan Eisenberg, Kevin Jerome Everson, Harun Farocki, Zachary Formwalt, Mark Leckey, Sharon Lockhart, Auguste and Louis Lumière, Lucy Raven, Ben Rivers, Hito Steyerl, Superflex, Pilvi Takala, Ryan Trecartin, Andrew Norman Wilson Reality Models is an extended remake of a scene from Peppermint Park, an obscure educational home video series produced in the 1980s by a group of investors seeking to profit off the narrative models that Sesame Street invented for educational children's entertainment.

[17] Ode to Seekers 2012 Ode to Seekers 2012 is an infinite loop video that celebrates the existence and activity of three differently scaled entities - a mosquito, an oil pumpjack, and a syringe - as they seek out an ambiguous resource by piercing a surface that looks like desert salt flats, or skin under a microscope, or potato casserole.

[19] A semi-biographical fiction inspired by his father's work at one of Kodak's first processing labs, Wilson's speculative gloss on the evolution of photochemical science entwines multiple perspectives and personas.

His work has been featured in Aperture, Art in America, Artforum, BuzzFeed, Camera Austria International, e-flux publications, Frieze, Gizmodo/Gawker, The New Yorker, and Wired.