[5] The premiere production incorporated spectacular scenery, set changes, and special effects, designed by Giacomo Torelli.
Many of the sets were recycled from Torelli's production of Luigi Rossi's opera Orfeo, performed at the Palais-Royal in 1647.
A series of six engravings created by François Chauveau, depicting scenes from the prologue and five acts of Andromède, were published in Rouen in 1651, both separately and with the second edition of the play.
[6] Charles d'Assoucy composed incidental music, which included airs, duets, and choruses, that primarily functioned to cover up the noise of the stage machinery during scene changes and special effects, such as the descent of Jupiter, Juno and Neptune in the final act.
"[7] Most of the music has been lost, except for two choruses published in Airs à quatre parties (Robert Ballard, Paris, 1653).