Designed by Frederick Wilson and completed in 1904, the window depicts the Archangel Michael calling for the dead to rise at the Second Coming.

[2] Dressed in chainmail like a crusading knight from the books of Sir Walter Scott, Michael cuts a dashing figure in keeping with the era's romanticism.

Although Tiffany was absorbed in numerous other projects at the time, he gave his team of gifted designers input before bestowing his approval upon the final composition.

The assembly was equally innovative, with lead not merely holding the glass in place but defining the image and creating linear effects.

The original watercolor sketch by Frederick Wilson, a Tiffany designer, resides at the Benjamin Harrison Home.