Coming from a family with a lineage of writers and actors in Marathi theater, Devulkar developed a deep affection for Konkani drama.

[4] Devulkar's contributions extended beyond acting, as he also ventured into directing tiatrs such as Bhirant (The Fear), Dev Podvekar (God, the Almighty), Saulli, Divea Pondak (Under the Lamp) and Mai, What is This?

Additionally, Devulkar made appearances in Konkani feature films including Girestkai, To Dis Udelo, and Bhitorlea Monacho Monis.

Throughout his career, he collaborated with tiatr personalities such as M. Boyer, C. Alvares, Chris Perry, Remmie Colaço, Jacinto Vaz, Nelson Afonso, Kamat de Assolna, Shalini Mardolkar, John Claro, Alfred Rose, Mike Mehta, Joe Rose, Paul Romy, Rodhill, Seby D'Souza, Fr Freddy, and Fr Planton Faria.

He was entrusted with directing tiatrs written by playwrights such as M Boyer, including the popular productions Ekuch Rosto (The Only Way) and Soumsar Sudhorlo.

[3] Devulkar's legacy includes his published works, such as the book of tiatrs titled Dev Podvedar (God, the Almighty) and Divea Pondak (Under the Lamp).

He led theater training sessions for schools and colleges, covering acting, scriptwriting, and songwriting, at the request of the Tiatr Academy of Goa (TAG).

Devulkar's final tiatr Atankvadi Goeant Naka (Goa doesn't need terrorists), was directed by Tousif de Navelim.