[4] After terrible reviews, she did not make movies for the next 6 years,[1] but studied her craft on stage with such productions as: “No hables mal de los gitanos” by Enrique Bohorques; “La mujer legitima” by Xavier Villaurrutia; “Doña hormiga” by Alvarez Quintero; “El amor las vuelve locas” by Enrique Suárez, among others.

[6] She returned to the stage and in 1945 performed the first presentation ever held at the Teatro Xicohténcatl, in Tlaxcala, with the comedy "Siete mujeres de Navarro y Torrado".

[7] In 1951, she performed in the play "Mamá nos quita los novios"[8] Finally in 1951, the labor dispute ended and she and other actresses who had returned to the theater, began filming again.

[11] Around this time, Blanch met her life partner, the novelist, journalist and film and television screenwriter, Josefina Vicens, with whom she lived until her death.

[1] In 1970 Blanch, along with Socorro Avelar, Dolores del Río, Irma Dorantes, Gloria Marín, Carmen Montejo, Silvia Pinal, and Amparo Rivelles joined to form a group called “Rosa Mexicano” with the intent of protecting actresses and their children.

[12] The project had been the brain child of Fanny Schiller,[13] who pushed the National Association of Actors (ANDA) to form nurseries for actress's children.