Kepe directed a performance of German composer Karlheinz Stockhausen's theatrical percussion-ensemble work Musik im Bauch at the Peabody Conservatory in Baltimore, Maryland.
[3] Kepe's cameo appearance on the Macbeth inspired composition The Charm written by composer Michael Udow can be heard on the Equilibrium record label.
Kepe combines her Shakespearean expertise and narration with an ensemble instrumentation that includes the world's largest timpani (74"diameter) and 10 sets of 14-foot chimes.
Most recently Kepe has created, directed and presented a series of performances of Philip Glass's rendering of the Prelude to Endgame at New York University, the Latvian National Conservatory (Riga) and as a featured artist at the Percussive Arts International Convention in Austin, Texas.
Stephen Pulp's PANGEA featured Kepe at the Page-To-Stage festival at The Kennedy Center, Washington, DC and with Blessed Unrest Theatre Company in NY in ensemble created collaboration The James Wilde Project.