She has been a fellow at the Radcliffe Institute for Advanced Study, the RISD European Honors Program in Rome, the MacDowell Colony, Yaddo, Blue Mountain Center, the Banff Centre, and the Bogliasco Foundation in Italy.

The pond was also home to wild ducks that acted as unwitting collaborators in the piece: as they criss-crossed the reflected painting, spontaneous moments of abstraction were created, making the face disappear from the water's surface, and then re-appear at random.

Schuleit Haber then served as visiting artist at the Eastman School of Music in Rochester, New York, working on a call-and-response collaborative piece with graduate students in composition Rachel Seah, Anthony Duarte, Stylianos Dimou, and Jason Thorpe Buchanan.

As part of a 2015 museum commission and a National Endowment for the Arts grant, Schuleit Haber embedded herself in a small-town newsroom where she staged a serial 'take-over' of twenty-six front pages in collaboration with typographers from around the world, poets, writers, journalists, local citizens, and students.

The contributing typographers included Matthew Carter, Cyrus Highsmith, Nicholas Benson, Ahrens and Mugikura, Catherine Griffiths, Esen Karol, Indra Kupferschmidt, Akira Kobayashi, among many others.

[7] In 2019-20, she worked on "Ser Du Mig", a collaboration on the theme of urban poverty with the Danish group 'CoreAct' led by performance artists Anika Barkan and Helene Kvint, and playwright Abelone Koppel, which premiered at Teater Grob, Copenhagen, during the pandemic.