Anne Collins (29 August 1943 – 15 July 2009) was an English contralto known as versatile operatic singer, praised for her "beautifully warm and wide-ranging timbre, and impeccable diction".
She performed with that company, through its transition into English National Opera (ENO), until 1976, in many roles, including the British stage premieres of War and Peace (Akhrosimova) in 1972 and The Bassarids (Beroe) in 1974.
[5] Collins was a particularly versatile operatic singer, including in her repertoire roles in early opera (such as Arnalta in The Coronation of Poppea), German works (Adelaide in Arabella as well as her Wagner roles), Russian opera (Clarissa in The Love for Three Oranges and Filipyevna in Eugene Onegin), French works (Antonia's Mother in The Tales of Hoffmann and Ragonde in Count Ory), Italian operas (Mamma Lucia in Cavalleria rusticana, Suzuki in Madame Butterfly, Ulrica in Un ballo in maschera and Mistress Quickly in Falstaff), and played English roles from Katisha in The Mikado to Mrs Sedley and Auntie in Peter Grimes.
After her debut in Geneva in 1977 (First Norn), she returned there from 1990 to 1993 to sing Auntie in Peter Grimes, The Hostess in Boris Godunov and Marcellina in Le Nozze di Figaro.
[9] In Ezio she "managed to steal each scene her (comparatively minor) character was in, simply by singing her lines with faultless diction so that the audience realised how unintentionally funny they were.
[12] Grove comments that Collins was a "versatile singer with a strong, even voice … equally at home in Wagner and in Gilbert and Sullivan";[4] Opera praised her beautifully warm and wide-ranging timbre, and impeccable diction.