Another Life is the third and final full-length studio album by American hard rock band Emphatic, released October 22, 2013.

[2] Only a couple of weeks before the first single from their previous record Damage was to be released, the Emphatic vocalist Patrick Wilson fractured his larynx in a bar fight.

Determined to rebuild and revamp everything, McCain signed another record deal with Epochal Artists and brought in a new singer Toryn Green (formerly of Fuel), new bassist Jesse Saint, and co-lead guitarist Bill Hudson.

Not wanting to replicate the last album, they decided to go another direction, add musical elements that weren't tapped into previously, and not include another "Bounce" or "Get Paid" on the record.

[5] "Remember Me" impacted radio on July 30, 2013 and was released as the album's lead single on August 20, 2013, entering the iTunes chart at No.

In February 2014 the band embarked on a one-month tour with RED and Gemini Syndrome, but without the lead singer on the record, Toryn Green, and co-lead guitarist Bill Hudson, who were replaced by former Emphatic touring vocalist Grant Kendrick and another former band member Lance Dowdle on guitar.

Shortly after beginning of the tour, Green announced his departure from the band, citing creative differences with founding member Justin McCain.

[19] Mike Newdeck writes on his review for Alternative Addiction that "Green proves to be the main strength of the album, sounding remarkably like Patrick Wilson in places, yet adding his own distinctive personality".

However, in Campbell's opinion the album "is plagued by more than a few flat filler tracks, instances in which the band wanders too far into middle-of-the-road hard rock".

[21] In his detailed review for Music Insider Magazine, Brian McKinny writes that his overall impressions are good, it never gets boring, and he enjoyed the drums and bass played on the release [by Tempesta and Bushnell], particularly on "Take Your Place" and "The Choice" which in his opinion has "all the hallmarks of a Top-40 Rock hit".

On a more critical note, McKinny laments over missing or too short guitar leads, the variation of effects applied to the vocals, and calls the production work on the record too slick in places.