António Ferro

In 1915, when he was barely 19, his friend, Mário de Sá Carneiro, appointed him as editor of the magazine Orpheu, precisely because he was still a minor.

[further explanation needed] This position did not last long, however, as Sá Carneiro's father withdrew his financial support after only two issues.

In 1920, he published one of his best known works, a collection of aphorisms and "paradoxes" called the Teoria da Indiferença (Theory of Indifference).

[1] Having begun as a member of the Portuguese Republican Party, he evolved into a Sidonista and supporter of authoritarian regimes, reflected in his book of interviews, Viagem à Volta das Ditaduras (Journey Around the Dictatorships, 1927).

He served as Commissioner-General for international exhibitions in Paris (1937) and New York (1939), played a major role in organizing the "Exposição do Mundo Português" of 1940, and directed production of the associated Revista dos Centenários, a propaganda journal that ran for 24 issues and included contributions from such notables as Vitorino Nemésio, Júlio Dantas and Aquilino Ribeiro.

Antonio Ferro (early 1930s?)
Artists who worked for the SPN. (1939). Top row, from the left: Thomaz de Mello [ pt ] , Fred Kradolfer [ pt ] , Emmerico Nunes [ pt ] and Bernardo Marques . Bottom, Carlos Botelho and José Rocha
Teoria da Indiferença , 1920. Cover design by
Armando de Basto .