Ant-Man (film)

This is an accepted version of this page Ant-Man is a 2015 American superhero film based on the Marvel Comics characters of the same name: Scott Lang and Hank Pym.

Ant-Man held its world premiere at the Dolby Theatre in Hollywood, Los Angeles, on June 29, 2015, and was released in the United States on July 17, as the final film in Phase Two of the MCU.

[79] In January 2011, Wright stated that he had resumed writing the script for the film following the conclusion of the international promotion for Scott Pilgrim vs. the World (2010),[80] and by April he and Cornish delivered the second draft of Ant-Man to Marvel.

[102] The next month, Feige stated that Eric O'Grady's Ant-Man would not be featured in the film,[103] while Rudd became the front-runner to play Hank Pym, and casting for the character's girlfriend had begun.

[113] In January 2014, Wright posted a screenshot on his blog from the Avengers: Earth's Mightiest Heroes (2010–2012) episode "To Steal an Ant-Man", which features Hank Pym and introduces the Scott Lang character, with the caption "homework".

There's sort of a weird mentor / pupil thing happening between Michael Douglas' character Hank Pym and Scott Lang, which Paul Rudd plays.

He said Marvel had wanted to do a draft of the script without him, which he found difficult, as he had written all of his previous films: "Suddenly becoming a director-for-hire on it, you're sort of less emotionally invested and you start to wonder why you're there, really.

[136][137] Feige elaborated that "much of the movie will still be based very much on [Wright and Cornish's] draft and the DNA of what Edgar has created up to this point", with Reed stepping in to direct and McKay reworking only parts of the script.

"[140] Some additions to the film that had not been featured in Wright's version included a flashback sequence with Peggy Carter; Janet van Dyne; the Quantum Realm; and a fight with an Avenger.

The alternate name was suggested by consultant Spiros Michalakis, a quantum physicist and staff researcher at the California Institute of Technology, to "inject elements of modern physics into the script".

[146] The next month, Reed revealed that Scott Lang's daughter would appear in the film,[147] and Gabriel Ferrari and Andrew Barrer were hired to make further revisions to the script.

[153] By the end of September 2014, production on Ant-Man moved to Pinewood Atlanta Studios in Fayette County, Georgia,[154] and David Callaham completed a rewrite of the film.

[158] When told by /Film's Germain Lussier that this placement between Avengers: Age of Ultron and Captain America: Civil War (2016) made the film feel like an afterthought, Feige replied, It's not [an after thought].

Camera operator Peter Rosenfeld said, "Russell and Peyton's decision to shoot in 1.85 was a good call, since at 2.39 there's insufficient height in frame to appreciate the vertical aspects of [Ant-Man] going from standing full-size to falling through a crack in the floor."

[39] Mackie appears in the post-credit sequence as well, along with Chris Evans and Sebastian Stan as Steve Rogers / Captain America and Bucky Barnes / Winter Soldier, respectively.

"[174] Visual effects for the film were provided by Industrial Light & Magic (ILM), Lola VFX, Double Negative, Luma Pictures, and Method Studios, with previsualization by The Third Floor.

Atwell wore a wig on set, along with a fine layer of latex makeup to give the skin a more leathery look, with Lola transposing the facial features of an elderly actress onto her face.

ILM also handled the sequences in the Quantum Realm, providing an array of microscopic and largely psychedelic imagery for the subatomic shrinking, taking advantage of procedural fractal rendering techniques the studio had utilized on Lucy (2014).

"[190] Also in April, miniature billboards promoting Ant-Man with battery-powered LED lights began appearing in Melbourne, Brisbane and other areas around Queensland, Australia as part of a street marketing campaign for the film.

[191] The next month, Marvel, in partnership with Dolby Laboratories, Visa, and Raspberry Pi, announced the "Ant-Man Micro-Tech Challenge", aimed at females aged 14 through 18, to create DIY projects involving micro technology and readily accessible and found materials.

[192] In June, Marvel released posters featuring Ant-Man juxtaposed with Iron Man's armor, Captain America's shield, and Thor's hammer Mjolnir.

[195] In early July 2015, Marvel began a viral marketing campaign featuring Leslie Bibb, reprising her role from the Iron Man films as journalist Christine Everhart, reporting for the faux news program WHIH Newsfront.

[199] In December 2015, to commemorate the home media release of Ant-Man, the 360 Company launched a website that offers visitors a view of various London landmarks from the perspective of an ant in a Google Street View–type experience.

The company commissioned photographer Will Pearson to capture ten different locations including Tower Bridge, Oxford Circus, the British Museum, St Paul's Cathedral and Nelson's Column using a 360° miniature camera that sat centimeters off of the ground.

[200] Ant-Man premiered at the Dolby Theatre in Hollywood, Los Angeles, on June 29, 2015,[201] and opened the 2015 Fantasia International Film Festival on July 14, 2015, along with Miss Hokusai.

[2] Deadline Hollywood calculated the film's net profit as $103.9 million, accounting for production budgets, marketing, talent participations, and other costs; box office grosses and home media revenues placed it 14th on their list of 2015's "Most Valuable Blockbusters".

The website's consensus reads, "Led by a charming performance from Paul Rudd, Ant-Man offers Marvel thrills on an appropriately smaller scale – albeit not as smoothly as its most successful predecessors.

"[226] Todd McCarthy of The Hollywood Reporter remarked, "Although the story dynamics are fundamentally silly and the family stuff, with its parallel father-daughter melodrama, is elemental button-pushing, a good cast led by a winning Paul Rudd puts the nonsense over in reasonably disarming fashion.

"[235] Catherine Shoard of The Guardian wrote, "Ant-Man is a cut-and-shut muddle, haunted by [Edgar Wright's] ghost, produced by a high-end hot dog factory, by turns giddying and stupefying.

Rudd, Lilly, Cannavale, Peña, Harris, Greer, Dastmalchian, Fortson and Douglas all reprise their roles from Ant-Man,[259] and are joined by Michelle Pfeiffer as Janet van Dyne, Laurence Fishburne as Bill Foster, Hannah John-Kamen as Ghost, Randall Park as Jimmy Woo, and Walton Goggins as Sonny Burch.

(L-R) Peyton Reed (director), Paul Rudd, Michael Douglas, Evangeline Lilly, and Corey Stoll at the 2014 San Diego Comic-Con
(L-R) moderator Geoff Boucher, producer Kevin Feige and Wright at the 2012 San Diego Comic-Con
Reed at the world premiere of Ant-Man in Hollywood
For Yellowjacket sequences, Stoll wore a motion capture suit while on set (top), which was replaced by an entirely digital creation built by Double Negative (bottom). [ 162 ]
Rudd at the world premiere of Ant-Man in Hollywood, Los Angeles