It was inspired by "Abaporu," a painting by Tarsila do Amaral, modernist artist and wife of Oswald de Andrade.
On the other hand, some critics argue that Antropofagia as a movement was too heterogeneous for overarching arguments to be extracted from it, and that often it had little to do with a post-colonial cultural politics.
"[7] On the 1968 album Tropicalia: ou Panis et Circensis, Gilberto Gil and Torquato Neto explicitly refer to the Manifesto in the song "Geléia geral" in the lyric "a alegria é a prova dos nove" (happiness is the proof of nines), which they follow with "e a tristeza é teu porto seguro" (and sadness is your safe harbor).
Momento Antropofágico com Oswald de Andrade was installed in the São Paulo Metro's Republica station.
It was inspired by three of Andrade's works: O Perfeito Cozinheiro das Almas deste Mundo, Manifesto Antropofágico, and O Homem do Povo.