They are installed to recall a tragic event or to maintain the claim for justice to which governments have failed to provide a satisfactory response in the eyes of the complainant.
Apart from their aesthetic appearance, anti-monuments are "artifacts charged with affection" that, with their subversive activities in the public space, tend to reinstate its communitarian sense.
[1] For Eunice Hernández, a cultural facilitator, their location is key to prevent the issue from fading into oblivion, since those spaces are emblematic and represent a hegemonic power.
For philosopher Irene Tello Arista, these actions represent an absence of political commitment to change the situation that originated them.
It was installed on Juárez Avenue, in front of the Palace of Fine Arts in downtown Mexico City during the annual march of women protesting against gender violence.
'Was MORENA') was a temporary political stunt installed by members of the National Action Party (PAN) on the eve of the first anniversary of the Mexico City Metro overpass collapse, where 26 people died.
The politicians described it as an antimonumento and they blamed the National Regeneration Movement Party (MORENA) for the collapse and the lack of justice surrounding the investigations.