[3] The tracks have unconventional structures and focus on distorted vocal samples and crackles, combining into a "loose, amorphous soundscape".

[4] Resident Advisor reviewer Emeka Okonkwo described it as a release of "spectral, wintery ambient sound-collages" and compared it to previous Burial tracks "Rival Dealer" and "Beachfires".

[3] For Loud and Quiet critic Luke Cartledge, the EP is a "familiar blend of rainy, minor-key textures and forlorn-sounding field recordings".

[4] Kingsley compared the music to the KLF's Chill Out (1990) due to their use of collage "as a way to convey a sense of movement, not only through space ("all the way down the East Coast") but through time" and for their use of musique concrète, "piecing together functional, everyday sounds – the strike of a lighter, coughs and muffled voices, metallic clangs – to create something totally otherworldly.

"[8] In Crack, Jasmine Kent-Smith described Anitidawn as "a loosely-stitched patchwork of hums, crackles and clicks, plus organic sounds such as the clearing of a throat".