[2] The wreck site, which is dated about 70–60 BC, also yielded the Antikythera mechanism (an astronomical calculating device), a characterful head of a Stoic philosopher, and a hoard of coins.

Its first restoration was revised in the 1950s, under the direction of Christos Karouzos, changing the focus of the eyes, the configuration of the abdomen, the connection between the torso and the right upper thigh and the position of the right arm; the re-restoration is universally considered a success.

He held a spherical object in his right hand,[4] and possibly may have represented Paris presenting the Apple of Discord to Aphrodite; however, since Paris is consistently depicted cloaked and with the distinctive Phrygian cap, other scholars have suggested a beardless, youthful Heracles with the Apple of the Hesperides.

The statue, dated to around 340–330 BC,[6] is one of the most brilliant products of Peloponnesian bronze sculpture; the individuality and character it displays have encouraged speculation on its possible sculptor.

This work is specially admired, because the eye can detect in it at once the judge of the goddesses, the lover of Helen, and yet the slayer of Achilles.