Antonio Badile

Veronese later moved to train with Giovanni Francesco Caroto.

[1] Badile is described as continuing the "retardataire" tradition of Caroto well past the 1540s.

His masterpiece is the altarpiece for Santi Nazaro e Celso of a Madonna and Saints (1540); another notable work is his Resurrection of Lazarus for the chapel of Santa Croce in the church of San Bernardino.

He was partially influenced by the Brescian painter Alessandro Bonvicino (called il Moretto).

This article about an Italian painter born in the 16th century is a stub.

The Blessed Virgin Mary with her Son and S. Battista, Antonio Abate, Benedetto, Biagio (detail), Verona, SS. Nazaro and Celso Church