Anyanka Christina Emmanuella "Anya" Jenkins (born as Aud) is a fictional character created by Joss Whedon for the television series Buffy the Vampire Slayer.
Within the series' narrative, Anya was originally a human named Aud, but spent over a thousand years as Anyanka, a vengeance demon, wreaking havoc by granting the wishes of women who had been wronged by men.
Primarily, this is used by the writers for comic relief; Anya has a very poor sense of what behaviors are appropriate, and speaks very bluntly and honestly, and flashbacks show that her manner was much the same before she became a demon.
She eventually falls in love with the boorish Olaf, a Viking warrior who enjoys hunting trolls and drinking at the bar.
In 880, a furious Aud discovers that Olaf has cheated on her with a bar matron named Rannveig, and takes her revenge on him by using magic to transform him into a troll.
In the 19th century, Anyanka becomes a close friend and fierce competitor of the vengeance demon known as Halfrek, whose specialty is avenging wronged children.
In 1914, Anyanka travels to Chicago, Illinois, to exact vengeance on a man named Stewart Burns, turning him into a demon and sending him to a hell dimension to be tortured for all eternity.
[1] She came to Sunnydale in response to the distress of Cordelia, who is upset after catching her boyfriend, Xander Harris, kissing their friend Willow.
"[citation needed] However, Anya returns in the episode "Doppelgangland", duping Willow into assisting in a failed magical attempt to recover the necklace which was her power center, lost when Giles destroyed it to reverse the wish granted for Cordelia.
Now with human feelings, she yearns to attend the school prom in spite of her abhorrence of all men; ironically, her only hope for a date is the last man she was sent to punish, Xander.
Anya decides to flee Sunnydale and invites Xander to join her, saying when she thinks something could happen to him, she "feels bad inside, like [she] might vomit".
Her lack of experience with people causes her to make straightforward, often tactless remarks, which soon put her at odds with other Scooby Gang members, especially Willow, who has little trust for the ex-demon.
This is seen most poignantly in "The Body" when her inability to comprehend Buffy's mother's death leads to inappropriate remarks which at first make others angry, but then allow for catharsis and comfort.
While playing The Game of Life, she discovers her love for money and capitalism (as opposed to her belief in Communism during the early 20th century and her charitable attitude of her years as Aud).
In the series finale, "Chosen", Anya fights with the others in the climactic battle against the First Evil and is brutally slain from behind, bisected by a Bringer's sword.
[6] It was stated that Anya would return in the Buffy the Vampire Slayer Season Eight comic book series, even with Joss Whedon telling MTV that she was "definitely dead... but that doesn't mean she's gone.
With over a thousand years of experience as a former vengeance demon, Anya's knowledge of demonology and various dimensions is immense, surpassing both Giles and his successor Wesley Wyndam-Pryce, but not as skilled as them in research.
In "The Gift", Anya sees a stuffed rabbit in the basement of The Magic Box (while looking for the Dagon Sphere with Xander), causing her to scream and exclaim, "Who would put something like that there?!"
In "Tabula Rasa", while suffering from memory loss, she repeatedly casts a spell that does nothing more than cause rabbits to appear in increasing numbers.
As the final battle approaches, Andrew Wells suggests she "picture happy things: a lake, candy canes, bunnies..." The change is drastic and instantaneous.
Burnett argues that, among Buffy's female characters, despite their varying versions of personal and/or mental strength, Anya is the only one who is truly sexually liberated.
Buffy and her friends tend to be "girly girls", who learn that "Sex is bad" and have their transgressions of traditional gender performance punished; Burnett cites the loss of Angel's soul, punitive interpretations of Tara's death, and Willow's transformation into Warren among other consequences.
She identifies this motif with typical traits of horror fiction, citing Dawn Heinecken's feminist analysis in Warrior Women of Television.
Anya was a series regular from Seasons Five through Seven (2000–2003), but did not appear in "Normal Again", "Help" (her scenes were cut), "Conversations with Dead People", and "Dirty Girls".
In 2005, Diamond Select Toys produced several action figures in the likeness of Emma Caulfield for their Buffy the Vampire Slayer line.