Apollo Theatre

[2] Designed by the architect Lewin Sharp for owner Henry Lowenfeld,[3][4] it became the fourth legitimate theatre to be constructed on the street when it opened its doors on 21 February 1901,[4] with the American musical comedy The Belle of Bohemia.

[5] It was constructed by builder Walter Wallis of plain London brick in keeping with the neighbouring streets; the front piece is in the Renaissance style with a sculpted stone fascia by T. Simpson.

The structure encloses a four-level auditorium, with three cantilevered balconies and a first-floor central loggia, decorated in the Louis XIV Style by Hubert van Hooydonk.

[5] On 19 December 2013, at about 20:15 GMT,[8] 10 square metres (110 sq ft) of the auditorium's ornate plasterwork ceiling collapsed around 40 minutes into a performance of The Curious Incident of the Dog in the Night-Time.

The owners were able to reopen the theatre by sealing the fourth level and balcony with a temporary floor, which allowed investigators to continue their work in determining the cause of the collapse.

[4] The production was followed by John Martin-Harvey's season, including A Cigarette Maker's Romance and The Only Way, an adaptation of Charles Dickens' A Tale of Two Cities.

[3][4] George Edwardes produced a series of successful Edwardian musical comedies, including Kitty Grey (1901), Three Little Maids and The Girl from Kays (1902).

After this it staged a variety of works, including seasons of plays by Charles Hawtrey in 1913, 1914 and 1924, and Harold Brighouse's Hobson's Choice in 1916.

In 1968 Gielgud starred in Alan Bennett's Forty Years On, and in 1970 he returned in David Storey's Home, with Ralph Richardson.

[5] A number of hit comedies transferred to or from the theatre in the 1970s and 1980s, and other important plays here during the period included Rattigan's Separate Tables, with John Mills in 1977, Romantic Comedy with Tom Conti and Pauline Collins in 1983, Lyle Kessler's Orphans in 1986 with Albert Finney, I'm Not Rappaport the same year, with Paul Scofield, and Dorothy Tutin, Eileen Atkins and Siân Phillips in Thursday's Ladies in 1987.

Penelope Wilton starred in Rattigan's The Deep Blue Sea in 1993, and In Praise of Love played in 1995 with Peter Bowles.

Souvenir of 300th performance of Véronique at the theatre in 1905
The facade in 1989, during a production of Thunderbirds FAB