Orchésographie, first published in Langres, 1589,[2] provides information on social ballroom behaviour and on the interaction of musicians and dancers.
[citation needed] Orchésographie was partly written as a rebuttal of Calvinist treatises published at the time which argued that dance was an immoral and vain pastime.
[3] He also published on astronomy: Compot et Manuel Kalendrier, par lequel toutes personnes peuvent facilement apprendre et sçavoir le cours du Soleil et de la Lune et semblablement les festes fixes et mobiles que l’on doit célébrer en l’Eglise, suyvant la correction ordonné par notre Saint Pére Grégoire XIII [...Calendar, by which all people can easily learn and know the course of the Sun and of the Moon and similarly, the festivals with fixed and moveable dates which one celebrates in Church, according to the correction ordained by our Father Saint Gregory XIII], Langres: Jehan des Preyz, 1582, (cited in Mémoires de l'Académie des sciences, arts et belles-lettres de Dijon, I (Dijon: Académie de Dijon, 1924), 107).
[clarification needed] The pavane "Belle qui tiens ma vie" was arranged by Leo Delibes for his incidental music for Victor Hugo's play "Le roi s'amuse".
Other sections were arranged or quoted by Saint-Saens (in the "ballet" from Ascanio) and Peter Warlock (in his Capriol Suite) "Branle de l'Official" provided the tune for the 20th century English Christmas carol "Ding Dong Merrily on High".