Architecture of Maharashtra

Maharashtra's famous rock-cut caves have several distinct artistic elements though sculptures of the time are regarded to modern viewers as stiff and not dynamic.

Ranging from tiny monastic cells to colossal, elaborately carved temples, they are remarkable for having been hewn by hand from solid rock.

Their 3rd century BC origins seem to have been as temporary shelters for Buddhist monks when heavy monsoon rains made their normal itinerant lifestyle impossible.

Modeled on earlier wooden structures, most were sponsuoions[check spelling] sit like a sceptre and crown amidst hills turned mauve.

During the late period, Hemadri a court polymath of Yadavas of Deogiri used his unique combinational Nagara style to create many temples, which were again rebuilt due to numerous Islamic clashes and their penchant for destroying Hindu places of worship.

The best examples of this style are Gateway of India, Taj Mahal Hotel, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya[note 2] (formerly Prince of Wales Museum) in Mumbai.

Entrance to one of the rock-cut Ajanta Caves . [ 1 ]
The Grishneshwar Temple was restored by Ahilyabai Holkar in the 18th century
Remains of the Pravareshvara Shiva temple built by Pravarasena II at Mansar
Gateway of India in Mumbai , built to commemorate the visit of King George V and Queen Mary to India. It was designed by George Witttet in the Indo-Saracenic style.