The album was musically varied, combining elements such as techno, metal guitar, ragtime piano, horns, samples, and dark vocals[3] and was credited in the liner notes to three pseudonymous individuals: Dred, Deathwish, and Buka.
Dred, Deathwish, and Celldweller, another individual credited as the album's producer, were all aliases for Scott Albert of the underground industrial metal band Circle of Dust.
[5][6][7] Misguided also featured a myriad of guest appearances from the Christian alternative music scene, as well as several from cult-status mainstream industrial rock bands of the time.
A single song attributed to a band called Backwoods was then released later in 1996 on a Christmas compilation put out by Flying Tart Records.
Argyle Park "reopened" in 1999 under the name AP2, signing to alternative Christian music label Tooth & Nail Records.
[11] Guest appearances were made once more, but not nearly as numerously as on Misguided: Klank returned, as did Mark Salomon, and Joel Timothy Bell of the Tooth & Nail punk band Ghoti Hook also provided some vocals.
[12] The music on Suspension of Disbelief was just as varied as that on Misguided, with the band this time experimenting with gabber techno, pop dance, drum'n'bass, R&B, punk rock, and metal.
Apart from all the controversies surrounding both incarnations of Argyle Park, however, their albums have been massively popular within the genre and subgenres of Christian industrial and electronic music.
The more recent success of Klayton's Celldweller has also resulted in renewed interest in his older projects, including both Argyle Park albums.