Internationally, his work has been the subject of exhibits and installations in Andorra, Spain, Belgium, Germany, Luxembourg, Korea, Taiwan and Japan.
Born in Bucharest, Romania, Moscovici graduated in 1979 from L'École nationale supérieure des Beaux-Arts (ENSBA) in Paris.
Moscovici, normally reluctant to discuss art in words, has in recent years offered a few written comments for exhibit programs.
In my work I use mostly what may be called classical materials (stone, wood, clay, bronze, metal.
This is a personal attitude of mine, both classical and modern, as I don't wish to be part of any official fashion or artistic movement.
The sculpture can be read in two directions at the same time: horizontally between the three parts and vertically between the ground and the sky....
The axels stand as almost human figures between the matter and spirit, between the underground (hell) and the sky....
Raymond Crampagne describes their effect in a publication by the Chateau le Puget Art Gallery: The works are not a reflection of geometrical forms in a timeless space.
The protagonists in the conflict, humanity and nature, operate in a world of opposites: smooth and rough, gloss and matte, geometrical and irregular, concave and convex, straight and curved, round and square, polished and rough, full and empty, imprint and excrescence, horizontal and vertical, mass and surface.