Art in Sierra Leone

Although most often affiliated with the Mende, these societies exist widely in the ethnic groups of Sierra Leone including in the Temne, the Kono, the Vai, and Bullom languages communities.

[4] In addition to historical heroes, the art often depicts National Provisional Ruling Council (NPRC) leaders and symbols (such as Valentine Strasser and Solomon Musa).

[5] In general, there are clear regional differences in the wood carving techniques of the forest communities (the Mende, Vai, and Bullom) with smooth edges and intricate details.

[8] Ivory carvings have been produced by many of the ethnic groups in the current area of Sierra Leone and were a primary export to Portuguese traders when they first began the trade networks with the coastal communities.

[12][13] African art curator Frederick Lamp believes that the stone carvings are a Temne tradition which was lost when the Mende invaded and displaced the communities which had existed there before that.

[15] From 1961 until 1991, the Young Men's Muslim Association (YMMA) held competitions where various different civil groups would design large floats, often with lights inside or outside, in celebration of Ramadan.

[17] The small processions slowly grew, largely as a result of the reputation for good cooking by Maggay's wife (whose specialty was corn and couscous), and eventually became run by the YMMA.

A Sande society helmet mask (1940–1965) in the collection of The Children's Museum of Indianapolis
Sande mask. ( Brooklyn Museum )
Wood figure of the Mende people
Nomoli stone carving of a man holding a crocodile. ( Brooklyn Museum )
Ivory carving of approximate 1500s origin from Sierra Leone