Arwen

In making that choice, Arwen gave up the Elvish immortality available to her as a daughter of Elrond, and agreed to remain in Middle-earth instead of travelling to the Undying Lands.

[T 3] Arwen first appears in the text of The Lord of the Rings in Rivendell, shortly after Frodo Baggins wakes in the House of Elrond: she sits beside her father at the celebratory feast.

[T 6] The banner is unfurled at the Battle of the Pelennor Fields to reveal the emblem of Elendil figured in mithril, gems, and gold; this becomes the first triumphant public announcement of the king's return.

[T 3] Through her father, Elrond, Arwen was the granddaughter of Eärendil the Mariner (the second of the Half-elven), great-granddaughter of Tuor of Gondolin, and therefore a direct descendant of the ancient House of Hador.

[T 3] Aragorn's ancestor, Elros Tar-Minyatur, the first King of Númenor, was her father Elrond's brother, who chose to live as a Man rather than as one of the Eldar.

Their union served, too, to unite and preserve the bloodlines of the three kings of the high Elves (Ingwë, Finwë, and the brothers Olwë and Elwë) as well as the only line with Maiarin blood through Arwen's great-great-great grandmother, Melian, Queen of Doriath.

Tolkien Encyclopedia that Arwen's lack of involvement follows the general Elvish pattern, already established in The Silmarillion and continued in The Lord of the Rings, of retreating to safe havens.

[4] The scholar of English literature Nancy Enright wrote that Arwen, like Christ, is an immortal who voluntarily chooses mortality out of love, in her case for Aragorn.

She granted that Arwen is not a conspicuous character, and unlike Éowyn does not ride into battle, but stated that her inner power is "subtly conveyed" and present throughout the novel.

[6][7][8] In the first film, Arwen searches for Aragorn and single-handedly rescues Frodo Baggins from the Black Riders at Bruinen, thwarting them with a sudden flood, summoned by an incantation.

[9] In the film adaptation of The Two Towers, the injured Aragorn is revived by a dream or vision of Arwen, who kisses him and asks the Valar to protect him.

[13] The Tolkien scholar Dimitra Fimi comments that the procession of Elves in the scene "Arwen's vision" in the extended version borrows visually from the "Celtic" imagery of John Duncan's 1911 Pre-Raphaelite painting Riders of the Sidhe.

[a] In Tolkien's novel, Arwen gives Frodo "a white gem like a star...hanging upon a silver chain" before he leaves Minas Tirith, saying, "When the memory of the fear and the darkness troubles you...this will bring you aid".

[14] The critic John D. Rateliff wrote approvingly of the deletion of what he calls "Arwen, Warrior Princess", even though it came "at the cost of reducing her to a sort of Lady of Shallott languishing for most of the final two films".

[23][24] The Lord of the Rings board game made use of a rendition of Arwen by Jackson's conceptual designer, the illustrator John Howe; the work was inspired by the French actress Isabelle Adjani.

The film scene "Arwen's vision" borrows visually from Riders of the Sidhe by John Duncan , 1911. [ 12 ]