[1] The Asplund Pavilion is noted for offering insights into contemporary perspectives on worship spaces from architects representing diverse cultural backgrounds.

Led by directors Francesco Dal Co and Micol Forti, the project team included eleven international architects, who reimagined Gunnar Asplund's 1920 Forest Chapel in Stockholm's cemetery within the contemporary socio-cultural context.

The participating architects included: Each design adhered to the requirement of using materials assigned to each team provided by sponsoring commercial partners in the construction sector.

Companies which supplied materials, technology and supported the construction costs included: Alpi; Barth Interni; Gruppofallani; Laboratorio Morselletto; Leucos; LignoAlp; Maeg; Moretti; Panariagroup; Piaggio Group; Sacaim; Saint-Gobain (Italy); Secco Sistemi; Simeon; Tecno; Terna; Zintek.

It presents a pitched roof which emphasizes its height, characterized by continuous wood cladding made of 9000 wooden shingles, interrupted by the presence of a series of symmetrical triangular skylights placed on both sides.

[13] The Asplund Pavilion belongs to the archetype of the hut which consists of three main elements: standalone columns, horizontal beams forming the entablature, and a basic pediment marking the triangular end of a pitched roof.

The chapel encompasses the stereometry of the supporting structures crafted by Asplund and Lewerntz for the Stockholm cemetery, drawing inspiration from Nordic woodwork.

The internal space of the Pavilion features an exhibition presenting replica drawings, texts, photographs and scale models[15] referring to the original "Woodland Chapel".