She continued her studies there under Ivar Bentsen who exerted a considerable influence on her, together with other artists, especially Joakim Skovgaard, from the folk high school environment.

She also befriended Lena Börjeson who had founded the Académie Scandinave free school of sculpture which arranged exhibitions and informal instruction.

Among her most notable creations are Holtepigen (1937) in French limestone, Stående Kvinde (1942) in teak, her statue of Anna Ancher (1939) for the garden of Skagens Museum and Det korsfæstede Menneske (1945), an unusual depiction of Christ's crucifixion.

Expressing an intense relationship between life and art, they focus on the human figure, often simply standing, sitting or kneeling.

[1] At a time when mankind was frequently treated with contempt, Noack strove to demonstrate her faith and trust in the human community.