After obtaining a Bachelor's in Creative Writing from the Université du Québec à Montréal (2005–2008), she continued studying the relationship between texts and images at McGill University (2008–2010) as part of a thesis in research-creation for the Department of French Literature.

It involved re-writing traditional tales, creating an amoral, ageographical and atemporal voice and delving into the female relationship to the body, to violence and to nature, all elements found in her ongoing exploration of literature.

In 2012, her novel was short-listed for the Prix des libraires du Québec [6] and for Canada's Governor General's Literary Award for French fiction.

Les Sangs, a rewriting of Bluebeard, deals with women's freedom and agency, the fierceness of their desires and their entitlement to personal sovereignty.

In September of that same year, it appeared in Spanish under the title Las Sangres with the publisher Hoja de Lata in a translation by Luisa Lucuix.

In January 2014, she was the first Quebec woman to receive the "writer" grant from France's Fondation Jean-Luc Lagardère to allow her to continue her literary pursuits.

That flexibility brought her into contact with students from all over Quebec and parts of Ontario (Ottawa, Toronto) yet did not involve the constraints that come with a permanent position within an institution.

The father, a lighthouse keeper, takes his brood to the furthermost limits of a solitary shore, separated by a vast forest from the nearest village.

There, she worked on her fourth novel, Blanc Résine, centred around the coming together of two marginal beings — Daã, a young woman raised by 24 women in the boreal forest, and Laure, an albino man born in a coalmine.

The divinatory game, "an invitation to use the symbolic power of stories to observe challenges, dreams, relationships and everyday objects from a new angle," brought together fifteen women writers as well as the photographer Justine Latour, whose dreamlike works accompany the texts.