[3] In late 1960s Germany, an experimental avant-pop scene dubbed "krautrock" saw influential artists such as Kraftwerk, Can, and Tangerine Dream draw inspiration from minimalism, German academic music, and Anglo-American pop-rock.
[3] According to The Quietus' David McNamee, the 1968 album An Electric Storm, recorded by the electronic music group White Noise (featuring members from the U.K.’s BBC Radiophonic Workshop), is an "undisputed masterpiece of early avant-pop".
[3] More contemporary avant-pop artists have included David Sylvian, Scott Walker, and Björk, whose vocal experimentation and innovative modes of expression have seen them move beyond norms of commercial pop music.
[3] Others who have been credited as avant-pop's pioneers include the Velvet Underground's Lou Reed,[8] singer Kate Bush,[3] performance artist Laurie Anderson,[9] art pop musician Spookey Ruben,[10] and Black Dice's Eric Copeland.
He counted recent works by Vangelis, Heldon and Bruce Ditmas as examples of the latter, and wrote that it originated in the 1960s counterculture's "notions of universal amateurism" with pieces like the Doors' "Horse Latitudes" (1967), the Beatles' "Revolution 9" (1968) and, later, the solo improvisations of Terry Riley.