Azar Nafisi

[4][5] In addition to Reading Lolita in Tehran, Nafisi has authored, Things I've Been Silent About: Memories of a Prodigal Daughter,[6] The Republic of Imagination: America in Three Books[7] and That Other World: Nabokov and the Puzzle of Exile.

She also taught novels by F. Scott Fitzgerald, Henry James and Jane Austen, attempting to understand and interpret them from a modern Iranian perspective.

[16][17] After staying in Iran for 18 years after the Revolution, Nafisi returned to the United States of America on June 24, 1997, and continues to reside there today.

[22] Nafisi has lectured and written extensively in English and Persian on the political implications of literature and culture, the human rights of Iranian women and girls and the important role they play in the change process for pluralism and open society in Iran.

Reading Lolita in Tehran (2003) Michiko Kakutani described Reading Lolita in Tehran in The New York Times Book Review as "resonant and deeply affecting… an eloquent brief on the transformative powers of fiction-- on the refuge from ideology that art can offer to those living under tyranny, and art's affirmative and subversive faith in the voice of the individual".

[31] Kirkus Reviews called the book "an immensely rewarding and beautifully written act of courage, by turns amusing, tender and obsessively dogged".

"[33] Kirkus Reviews said the book is "a passionate argument for returning to key American novels to foster creativity and engagement… Literature writes Nafisi, is deliciously subversive because it fires the imagination and challenges the status quo… Her literary exegesis lightly moves through her experience as a student, teacher, friend, and new citizen.

"[33] Jane Smiley wrote in The Washington Post that Nafisi "finds the essence of the American experience, filtered through narratives not about exceptionalism or fabulous success, but alienation, solitude and landscape".

"[40] In a 2003 article for The Guardian, Brian Whitaker criticized Nafisi for working for the public relations firm Benador Associates which he argued promoted the neo-conservative ideas of "creative destruction" and "total war".

He also claimed that she "has produced gross misrepresentations of Iranian society and Islam and that she uses quotes and references which are inaccurate, misleading, or even wholly invented.

"[43] John Carlos Rowe, Professor of the Humanities at the University of Southern California, states that: "Azar Nafisi's Reading Lolita in Tehran: A Memoir in Books (2003) is an excellent example of how neo-liberal rhetoric is now being deployed by neo-conservatives and the importance they have placed on cultural issues.

"[44] He also states that Nafisi is "amenable.. to serving as a non-Western representative of a renewed defense of Western civilization and its liberal promise, regardless of its historical failures to realize those ends.

"[45] In 2006, Columbia University professor Hamid Dabashi, in an essay published in the Cairo-based, English-language paper Al-Ahram (Dabashi's criticism of Nafisi became a cover story for an edition of the Chronicle of Higher Education)[46] compared Reading Lolita in Tehran to "the most pestiferous colonial projects of the British in India", and asserted that Nafisi functions as a "native informer and colonial agent" whose writing has cleared the way for an upcoming exercise of military intervention on the Middle East.

He also labeled Nafisi as a "comprador intellectual," a comparison to the "treasonous" Chinese employees of mainland British firms, who sold out their country for commercial gain and imperial grace.

"[47][48] Finally, Dabashi stated that the book's cover image (which appears to be two veiled teenage women reading Lolita in Tehran) is in fact, in a reference to the September 11 attacks, "Orientalised pedophilia" designed to appeal to "the most deranged Oriental fantasies of a nation already petrified out of its wits by a ferocious war waged against the phantasmagoric Arab/Muslim male potency that has just castrated the two totem poles of U.S. empire in New York.

"[50][51] In the acknowledgements she makes in Reading Lolita in Tehran, Nafisi writes of Princeton University historian Bernard Lewis as "one who opened the door".

Like the late Edward Said, he brands every thought he dislikes as an example of imperialism, expressing the West's desire for hegemony over the oppressed (even when oil-rich) nations of the Third World."

Papan Matin also argued that "Dabashi's attack is that whether Nafisi is a collaborator with the [United States]" was not relevant to the legitimate questions outlined in her book.