[3] His close friend Joseph Edward accompanied him by taking him to Sri Lanka Broadcasting Corporation to watch the recording of the Siruvar Malar program, which itself became an iconic nostalgic memory for Hameed and he used that experience as his source of inspiration.

Although he was initially hesitant on becoming the relief announcer with a sense of self-doubt, he recalled his experiences of Siruvar Malar and Ilaigar Manram to capitalise as well as bank on his capabilities to prolong his career pathway.

He hosted his first commercial program titled Navarasak Kovai where he incorporated a short drama into the picture, recognizing that radio storytelling is a powerful art form to capture the attention of audiences.

[3] He took fellow artists on a train journey to compile and record the story with an implementation of a paradigm shift mentality by incorporating an out-of-the-box thinking mindset.

[3] He also engaged in an experimental project by taking subject matter focusing on covering the several dialects spoken in Sri Lanka through his radio drama titled Komalikal Kondattam, which was later made into a film.

[3] Later on, Komalihalin Kummalam made some modifications to their programme and included a plethora of characters representing different faiths and religious groups as a response to racial allegations.

[2] His vocal variation along with fluent Tamil accent which he displayed in Lalithavin Pattuku Pattu caught the attention of public and the show also gained substantial increase in television rating points.

[3] It was also revealed that Hameed played a major hand in penning dialogues for scenes involving issues related to Sri Lankan civil conflicts.

He also assisted lyricist Thamarai by figuring out a list of Jaffna slang and culturally rooted Tamil words for the song "Injerungo" which featured in the soundtrack album of Thenali.

He recalled a famous incident which took place during his career as a broadcaster during the 1980s, when he met and interviewed veteran Indian actor Rajinikanth who visited Sri Lanka to complete a shooting schedule for his highly anticipated film project Thee (1981).

[13] He recalled memories of his interviewing scenario with veteran Indian actor Sivaji Ganesan when the latter made a visit to the Sri Lankan shores in order to collect donations as part of a fundraising campaign specifically catering to the victims who were adversely affected by the inclement weather and torrential rain falls in Tamil Nadu resulting in flash floods.

[13] In May 2015, he also hosted the second edition of the Innisai Varpugal which was held at The Music Academy with the special collaborative efforts undertaken by The New Indian Express and Gala events.

[19][20] Veteran Indian actor Kamal Haasan graced the book launch of Hameed's autobiography Vanalaikalil Oru Vazhippokkan at a grand function by showcasing it for public view.

[22][23] In his book Vanalaikalil Oru Vazhippokkan, he recounted his personal memories and experiences which he witnessed in his five decades long career in broadcasting and media, highlighting the challenges and achievements which came on his way.

[3] The 23 chapters in the book also includes additional annexure with write-ups by K. Sivaththamby, Kamal Hasan and Sillayur Selvarasan about how they see B. H. Abdul Hameed in their own narratives and perspectives.

His most notable poetry dramas include “Kuyil Pattu” (Subramania Bharati), “Devane Un Kural” (P. Sathyaseelan), “Romeo Juliet” (Sillayur Selverajan) and “Yaal-Padi” (Ambi).