Back in the Red

We are then shown the circumstances that led to their incarceration... Three days earlier, Kryten's nanobots had rebuilt Red Dwarf, but done so far too large.

Lister enters the cockpit, showing off his now non-muscular body, and it emerges that the enlargement is a temporary symptom of the nanobots' restoration process, as it soon turns out that Red Dwarf is shrinking around Starbug.

With Red Dwarf almost completely shrunk, the corridors rip off the rear and middle section of Starbug before the cockpit is sent flying into a cargo bay where it crash-lands, and the crew manage to escape mere seconds before it explodes.

Captain Hollister then arrives with a Security Officer who places Lister under arrest for stealing and crashing a Starbug, flying without a pilot's licence and bringing two stowaways (The Cat and Kryten) aboard.

He then asks Holly (who is still loaded into Lister's watch and therefore hidden from the crew of Red Dwarf) what will happen if they are found guilty.

Lister, Kochanski, Kryten and The Cat are brought before a board of enquiry, and Captain Hollister requests their permission to use psychotropic testing during their trial.

In order to give him the courage, he steals a security guard's gun and (taking Kochanski's advice too seriously) and forces the superior officers present to sit on toilets with their pants down.

Although it works at first and Kochanski practically throws herself at her former boyfriend, she returns to normal after a few seconds and Lister realises that the positive viruses cancel each other out.

Suddenly, The Cat hits on a great idea...with black mop- heads and fake teeth with overbites, they can pretend to be the Dibbley family.

While the women look at him adoringly, Rimmer impresses Hollister with his theories on future echoes and universes where time runs backwards.

Rimmer soon finds the sexual magnetism virus is not so great, as every time he gets up to fetch refreshments, a female guest follows him and forces him to have sex with her.

Lister, Kochanski and The Cat are bluffing their way past the crew with their geeky disguises and claim to be computer programmers when they run into Kryten again, who begins to recognise them.

After yet another sexual encounter, Hollister discusses the psychotropic testing he is conducting on the others and reveals that Lister and the others merely believe they are escaping when they are really in an artificial reality where their actions are being monitored.

Rimmer realises that Lister could end up mentioning the deal they had regarding the confidential files, and land him in a heap of trouble; thus he excuses himself and scrambles to the AR suite.

In order to prove that he is capable of handling the ship, as well as impressing the woman, he begins an impromptu dance routine with Blue Midget as his partner.

Amazingly, the Cat is the one to work out that the button marked 'E-Eleven-T' is the trap door (as eleven is XI in Roman numerals).

The crew wake in the Artificial Reality suite to find Rimmer trying furiously to place them back inside; however, he is quickly on the run as the sexual magnetism virus causes Kochanski to lust after him.

Naturally Holly is unable to recall what it actually means, but takes offence at being labelled an idiot and reveals that he created the nanobots that resurrected the crew!

The classic bunk set-up and the character of Captain Hollister in those early episodes proved to be a deciding factor in reviving the crew.

Mac McDonald reprised his Captain Hollister character; Paul Bradley and David Gillespie returned as Lister's respective drinking buddies, Chen and Selby.

[5] Red Dwarf, the ship itself, also returned, having not been seen since "Demons and Angels", the penultimate feature of series V. A new, much larger model had been created for the Remastered project, though it ended up being too difficult to film because of its size.

[6] With Kryten having been defaulted to his factory settings, posh English accent and all, it was considered that David Ross could make a return.

The entire sequence was filmed first with green screen backdrop; it was then edited with no effects, so that Blue Midget would be added to match the movements.