Songs recorded in that period showed major improvement over their early efforts, developing their rapping skills drastically while still keeping trademark irreverent lyrics.

The album had a specific lo-fi sound as a result of being recorded and mastered in less-than-perfect ghetto conditions, but it was a huge hit for a short time on the strength of the first single, "Uno Due Tre", produced by Ajs Nigrutin, with most of the song lyrics consisting of unconnected Italian or Italian-sounding words and phrases (some copied off of shampoo labels and clothing tags), and with a very low-budget video recorded by Đolođolo of Beogradski sindikat in the old town of Budva.

The second single "Možeš ti to" (You can do it) featuring explicit lyrics describing various sexual acts, also produced by Wikluh Sky and also with a video by Đolođolo, was moderately successful.

Featuring Bitcharke na travi (Bitches on grass) as guests vocally, the track predictably didn't get much airplay due to excessive profanity.

That show in front of 1,200 people turned out to be the beginning of the band's more commercially successful phase as they started drawing larger crowds and getting more exposure in the media.

In 2013, they published their fourth album Krigle (Beer Steins), with videos for tracks Esi mi dobar and Ljubav ili pivo.

Ajs Nigrutin and Timjah have released a compilation of songs under the name 43zla – Sve same barabe in 2004, with a list of guests including their young protégés Blind Business and Kibu, long-time collaborators Prti Bee Gee and Bvana, and others such as Who See.

Members of Bad Copy have also done songs with many other Balkan hip-hop artists, among which are Gru, Marčelo, Beogradski sindikat, Edo Maajka, Bauk Squad, V.I.P.