Baird Auditorium

[4] The Baird Auditorium is one of the finest examples of the Guastavino tile arch system, inspired by the Catalan vault, in the United States.

"[6] The pilaster bases for the Baird's walls are made of pink Tennessee marble, with the auditorium floor finished primarily in terrazzo.

NASA educational resources describe the Baird debate: "It is now clear that a once little-heard-of discussion was at the crux of a major change of humanity's view of our place in the universe;"[9] and, Dr. Frank She claims that the "debate illustrates forcefully how tricky it is to pick one's way successfully through the treacherous ground that characterized research at the frontiers of science.

[11] On October 31, 1933, African American writer and philosopher Alain Locke gave a lecture and screened films from the Harmon Foundation as part of the Smithsonian exhibition, "Exhibition of Works by Negro Artists," and sponsored by Carter G. Woodson's Association for the Study of Negro Life and History.

[13]) According to VCU professor Tobias Wofford, "On Woodson’s invitation, Locke delivered a slide lecture to the ASNLH congregants in the auditorium adjacent to the exhibition space.

[20] On June 2, 1978 the "Texas Troubador" Ernest Tubb performed as part of the Smithsonian's American Country Music series.

[23] Pete Seeger and Sweet Honey in the Rock performed an evening of "protest songs from Colonial times to today," together on the Baird's stage on January 8, 1978.

Lonnie Bunch speaking at podium
Lonnie Bunch, Director, speaking in 2005.
Program guide for Alberta Hunter's January 7, 1979 performance at the Baird Auditorium.
Smithsonian Institution, Jazz Heritage Program for Alberta Hunter's January 7, 1979 performance at the Baird Auditorium.