Bashir Ahmed (11 November 1939 – 19 April 2014) was a Pakistani-Bangladeshi playback singer, lyricist, and musician who started his career from Lollywood in the 1960s.
Born on 18 November 1939 in Kolkata, West Bengal, Ahmed migrated to Dhaka, East Pakistan, after the partition period in 1960.
Similarly in Robin Ghosh's another lilting offering, Karwan, in 1964, Bashir wrote and sang Jab Tum Akele Hoge Hum Yaad Aayenge.
The songs from the films were Yeh Sama Pyara Pyara, Yeh Hawaein Thandi Tthandi (singer Mala), (Yeh mausam yeh mast nazare, pyar karo to inse karo), (Tumhare Liye Iss Dil Mein Itne Mohabbat Hai, Itne Mohabbat Kaun Karega Kahan Paoge Kis Dil Mein Hoge), (Din Raat Khayalon Mein Tujhe Yaad Karoonga, Par Naam Tera Leke Main Aawaz Na Doonga), (Hum Chale Chhor Kar Teri Mehfil Sanam, Dil Kahin Na Kahin To Behal Jayega), (Gulshan Mein Baharon Mein Tu Hai), and (Chun Liya Ik Phool Ko), with Madam Noor Jahan.
In 1971, when the situation worsened in Pakistan, he was not encouraged in the industry as music directors considered him a pale version of Ahmed Rushdi (who remained the greatest singer in the history of Pakistani cinema) and the film Hill Station's songs, namely Mera Dil Na Jaane Kabse Tera Pyar Dhoondta Hai and Mere Seene Par Sar Rakhdo remain his only contributions in this period.
[6] A film that was made on the Dhaka Debacle in the late 1970s, called Sangtarash, also included his numbers, namely Bol Zara Kuch Duniya Wale and Mukhre Mein Chand, but the film, despite pleadings of the film-maker to the military regime of Zia, remained unreleased.