Batman Black and White

[1] The origin of the series is told by editor Mark Chiarello in his introduction to the first collection, in which he writes about a dinner table-discussion with "a few famous comic-book artists", at which they pondered the "desert island" question in terms of a single complete run of comics one would be happy to be stranded with.

Told by many colleagues that it would not sell - both because it was an anthology and because it was a black-and-white title, neither of which were purportedly widely liked by comics readers - the idea was green-lit, and Mike Carlin and Scott Peterson joined Chiarello to "make sure [he] didn't destroy the integrity of [Batman]".

Each story varied in theme, setting, and tone (depending on the creative team involved), offering multiple interpretations of Batman - and, in some cases, his supporting characters - usually by exploring their inner pathos and relationships.

Contents Collects back-up stories from Batman: Gotham Knights #17-49 (mostly edited by Mark Chiarello, Bob Schreck and Michael Wright).

The motion comics were produced and directed by Ian Kirby and feature an original musical score by composer Adam Fulton and voice-actors, such as Michael Dobson as the voice(s) of Batman, the Joker, Thomas Wayne and Alfred Pennyworth, John Fitzgerald as Commissioner Gordon and Two-Face, Janyse Jaud as Harley Quinn, Catwoman and Martha Wayne and Joseph May as Superman.

Forced to scrap complex plots but create something indelible, these tales are often parables, send-ups or unforgettable vignettes surrounding the Batman".

Some of these are based on designs used by various artists for their contributions to the three volumes of Black and White stories, but the line has expanded to include artwork from other titles as well as other characters.

Artist David Mazzucchelli with the statue based on his artwork in the series at a June 28, 2012 book signing at Midtown Comics in Manhattan.