It features collaborations with singer PinkPantheress, Matty Healy and George Daniel of the 1975, Cavetown, and Jack Steadman of Bombay Bicycle Club.

[3] In a three-star review, Rachel Aroesti of The Guardian said that Beatopia's "crowd-pleasing combination of poppy euphoria, laidback cool and often rather generic lyrics tends not to leave a lasting impression of much beyond stylishly executed nostalgia".

characterised Beatopia as a progression from Beabadoobee's debut album with "more diversity, more complexity and less care paid to the genres it falls within", marking an artistic evolution.

[8] Similarly, Hollie Geraghty writing for NME sees "the seeds that were planted in Fake It Flowers not only blossom, but inhabit an entirely different world" with Beatopia.

[9] In a mixed review for The Telegraph, Kate French-Morris wrote, "Kristi's music may sound fresh to the ears of those born this side of the millennium, but it's rehashed, scrubbed-up, 1990s alt-rock to everyone else, so well-cribbed she sounds like a fictional artist dreamed up to soundtrack a teen movie.