The album includes collaborations with Drake, Naira Marley, Jorja Smith, Burna Boy, Popcaan, CB, Villz and Boss Belly.

[13] Alexis Petridis of The Guardian named it his album of the week and noted, "that its polarities hold together for more than an hour is partly down to J Hus's famed adaptability, his facility to ride any beat thrown his way".

[3] NME's Niall Smith described it as "a scattershot burst of brilliance" as well as "an elongated, yet joyous return from J Hus", who "channels his lyrical potency, struggles and romantic pursuits into one unified portrait".

[2] Will Pritchard, reviewing the album for The Telegraph, called it "the record of the summer" along with "thrilling, hip-twisting, [and] unsettling", on which "Hus still leads the pack with his pitless charisma, linguistic inventiveness, and musical curiosity".

[17] Pritchard, writing for Pitchfork, described it a "carnal and philosophical investigation of masculinity against lush, robust beats that evoke a distinctly Black British take on G-funk".