As of 18 August 2003[update], the painting was part of the Robert and Jane Meyerhoff Collection housed at Fitzhugh Farm located an hour and a half north of Washington, DC.

[5] He uses Ben-Day dots on one wall and pays homage to Expressionism's woodcuts, using wavy lines on the floor.

[7] In fact, Lichtenstein supposedly worked from a 1993 Vincent van Gogh Calendar that included the Art Institute version.

[4] Aleid Head describes the color selection, which includes acid yellow and bright turquoise, as garish.

[6] According to Diane Waldman of the Solomon R. Guggenheim Museum, the painting, which presents a pedestrian perspective, successfully distances his version from the original.