Carmela's classroom is a counterpoint to the state of things – perhaps a parable of a possible Cuba, a space were differences are respected, where everybody's opinion counts and common sense rises above the handlings of bureaucrats and politics.

"[13] Howard Feinstein, from Screen Daily, said: "In a film that has taken Cuba by storm and is in the midst of a streak of overseas awards, former documentarian Daranas smoothly pulls together dual journeys that might not otherwise intersect so credibly.

[…] Reception should be positive, with such pluses as first-rate performances, especially Daranas's brilliant work with children, and an inventive script outweighing a few rough technical edges.

"[14] Daniel Grivel, from Ciné-Feuilles, said: "Excellent in his direction of actors and with a fraternal gaze on his countrymen, Ernesto Daranas makes us the gift of a moving and positive tale.

"[15] Dennis Harvey, in his review for Variety, said: "Daranas' direction tamps down the script's implicit moralizing and melodramatic elements by playing everything in an agreeably low-key, naturalistic tenor.

[…] Some cast members' performances would look considerably better with just one or two adjustments to reaction shots; and administrative wrangling over Carmela's job goes on long enough that it threatens to throw the film's balance off.