Swami Vivekananda returned to India from Colombo with a small group of disciples and started work on the two one at Belur, and the others at Mayavati, Almora, Himalayas called the Advaita Ashrama.
It is notable for its architecture that fuses Hindu, Islamic, Buddhist, and Christian art and motifs as a symbol of unity of all religions.
Two monasteries were founded by him, one at Belur, which became the headquarters of Ramakrishna Mission and the other at Mayavati on the Himalayas, in Champawat District, Uttrakhand, called the Advaita Ashrama.
[6] Swami Vivekananda's days as a parivrajaka (wandering monk) before his visit to Parliament of Religions, took him through many parts of India, and he visited several architectural monuments like the Taj Mahal, Fatehpur Sikri palaces, Diwan–I–Khas, palaces of Rajasthan, ancient temples of Maharashtra, Gujarat, Karnataka, Tamil Nadu and other places.
During his tour in America and Europe, he came across buildings of architectural importance of Modern, Medieval, Gothic and Renaissance styles.
[12][13] The ex-president APJ Abdul Kalam regarded Belur Math as a "place of heritage and national importance.
[15][16][17] The architectural style and symbolism from a number of religions have been incorporated into the design of the temple at Belur Math, to convey the "universal faith" in which the movement believes.
The windows and balconies inside the temple draw upon the Rajput (Hindu) and Mughal (Islamic) style of north India.
The high entrance of the temple is like a South Indian Gopuram and the pillars on both sides represent Buddhistic architectural style.
The three umbrella-like domes on the top built in Rajput-Moghul styles give an idea of thatched roofs of the village Kamarpukur.
The circular portion of the entrance is an intermingling of Ajanta style with Hindu architecture and within it, placing the emblem of the Order, is a representation of beauty and solemnity.
The broad parikrama path for doing circumambulatory rounds on all sides of the garbhamandira (sanctum sanctorum) are built like Buddhist chaityas and Christian Churches.
The entrance doors on both east and west of the temple having pillars on both sides are like the elegant gateways of the Manmandir in Gwalior Fort.
These include the long coat worn by Vivekananda in the West, Sister Nivedita's table, and an organ of Mrs Sevier's.
[23] The museum has a realistic recreation of the Panchavati – the clutch of five sacred trees of the Dakshineswar Kali Temple where Ramakrishna practised sadhana (spiritual disciplines).
[23] The black stone bowl from which Ramakrishna took payasam (a sweet Indian dish) during his final days, while suffering from throat cancer, and the pillow he had used, in the house in Calcutta where he spent his last few months, are on display.
The museum showcases a huge replica of Swami Vivekananda in the front of the Chicago Art Institute, where the famous Parliament of the World's Religions was held in September 1893.
[23] The wooden staircase and the lotus woodwork of Victoria Public Hall in Chennai, where Vivekananda gave inspiring speeches to a large congregation, have been brought over.