Bernard Baron

[3] In 1712 he moved to London at the invitation of Claude Dubosc,[2] in order to assist him on his engravings of Laguerre's mural at Marlborough House.

Some art historians have suggested that a drawing by Watteau of an engraver at work, in the collection of British Museum, is a portrait of Baron.

[2] In 1735 Baron was one of a group of leading London artists shown in Gawen Hamilton's painting A Conversation of Virtuosis[3][4] He was one of four French engravers employed by William Hogarth to produce plates for his series Marriage à la mode.

He also engraved portraits by Hogarth and Allan Ramsay, and works by Holbein, Rubens, Van Dyck, and Teniers.

[3] Writing in the late 18th century, Joseph Strutt described Baron's style as "slight and coarse, without any great effect", adding that "his drawing is frequently very defective.

Henry VIII granting the Charter to the Barber-Surgeons' Company , after the painting by Hans Holbein the Younger .