[13] By applying techniques such as bending or pressing, and reconceiving their coloring, Pousttchi relieves these everyday objects of their regulatory function and detaches them from their context of meaning, turning them into signs of change, fluid structures and dissolving boundaries.

[11] Three of these sculptures were presented at the Tuileries Garden in Paris in October 2021, as part of the outdoor exhibition Hors les Murs in front of the Musée du Louvre.

Extending nearly 2,000 square meters, the installation consisted of 970 different paper posters, and formed a continuous motif that recalled the Palast der Republik (Palace of the Republic), the building which had just been demolished on that very site.

[16] In 2014, the artist transformed the Nasher Sculpture Center Dallas into a Drive-Thru Museum, referencing the site's history and the architecture of the Renzo Piano building.

[5] On the occasion of her survey exhibition In Recent Years 2019-2020 at Berlinische Galerie, she transformed the entire glass facade of the museum with the photo installation Berlin Window.

[18] Konzerthaus Berlin commissioned the artist 2021 on the occasion of their bicentennial with the work, Amplifier transforming the historical building by Karl Friedrich Schinkel on Gendarmenmarkt.